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OtherReflectionsA

Jazz and the ‘Art’ of Medicine: Improvisation in the Medical Encounter

Paul Haidet
The Annals of Family Medicine March 2007, 5 (2) 164-169; DOI: https://doi.org/10.1370/afm.624
Paul Haidet
MD, MPH
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Additional Files

  • Annals Journal Club Selection:

    Mar/Apr 2007

    The Annals Journal Club is designed to encourage a learning community of those seeking to improve health care and health through enhanced primary care. Additional information is available on the Journal Club home page.

    The Annals of Family Medicine encourages readers to develop the learning community of those seeking to improve health care and health through enhanced primary care. You can participate by conducting a RADICAL journal club, and sharing the results of your discussions in the Annals online discussion for the featured articles. RADICAL is an acronym for: Read, Ask, Discuss, Inquire, Collaborate, Act, and Learn. The word radical also indicates the need to engage diverse participants in thinking critically about important issues affecting primary care, and then acting on those discussions.1

    Articles for Discussion

    • Haidet P. Jazz and the �art� of medicine: improvisation in the medical encounter. Ann Fam Med. 2007;5(2):164-169.
    • Brody H. A headache at the end of the day. Ann Fam Med. 2007;5(1):81-83.

    Discussion Tips

    In this Journal Club, we feature 2 essays that provide a springboard for expanding our understanding of the craft of (family) practice. �Jazz and the �Art� of Medicine� uses examples from jazz to illustrate how improvisation guides the skilled patient visit. �A Headache at the End of the Day,� from the January/February 2007 issue of Annals, demonstrates a family physician�s improvisational style as it unfolds in the course of a visit. Consider obtaining the jazz songs that Haidet references (links to downloads are available in the Supplemental Appendix to the article at http://www.AnnFamMed.org/cgi/content/full/5/2/164/DC1) and having them available at your Journal Club meeting. The music will enrich the discussion.

    Discussion Questions

    • According to Haidet, what are the 3 forms that communication can take?
    • What are the potential difficulties in providing patients with communicative space as Haidet describes (eg, through silence, latency, and pace of speech)? What are some solutions to these difficulties?
    • Have you developed your own communication style and voice as a physician? What has helped or hindered the process?
    • Does the skilled clinician need more than one voice for use with different patients and situations? How do you adapt your voice?
    • Do you agree with Haidet that the physician should not be the conversational leader in a patient visit?
    • In �A Headache at the End of the Day,� when does Brody begin improvising?
    • How does Brody encourage multiple voices to join the conversation? How does he manage the conversation so that all voices have the opportunity to be heard?
    • How does Brody model the practice of the self-reflective clinician? What are the advantages (and disadvantages) of this approach over the life course of the clinician?2,3
    • Do these essays provide information or ideas that you can use in communicating with patients? If so, what?
    • What�s missing from these essays? What have you experienced in patient visits that would make it difficult to apply these ideas?

    References

    1. Stange KC, Miller WL, McLellan LA, et al. Annals journal club: It�s time to get RADICAL. Ann Fam Med. 2006;4:196-197. Available at: http://annfammed.org/cgi/content/full/4/3/196.
    2. Sch�n DA. Educating the Reflective Practitioner: Toward a New Design for Teaching and Learning in the Professions. New York, NY: Jossey-Bass Publishers; 1990.
    3. Sch�n DA. The Reflective Practitioner: How Professionals Think in Action. London: Avebury; 1991.
  • Supplemental Appendix

    Supplemental Appendix

    Files in this Data Supplement:

    • Supplemental data: Appendix - PDF file, 2 pages, 97 KB
  • The Article in Brief

    Jazz and the 'Art' of Medicine: Improvisation in the Medical Encounter

    Paul Haidet, MD, MPH

    Background Improvisation is an important aspect of patient-doctor communication. It is also an important feature of jazz music performance. This essay uses examples from jazz to illustrate principles of improvisation in communicating with patients. These principles include giving patients space to say what they want to say, developing a unique communication style, and accommodating the communication styles of others. Jazz improvisation can inform efforts to research and teach these aspects of communication in the medical setting.

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The Annals of Family Medicine: 5 (2)
The Annals of Family Medicine: 5 (2)
Vol. 5, Issue 2
1 Mar 2007
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Jazz and the ‘Art’ of Medicine: Improvisation in the Medical Encounter
Paul Haidet
The Annals of Family Medicine Mar 2007, 5 (2) 164-169; DOI: 10.1370/afm.624

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Jazz and the ‘Art’ of Medicine: Improvisation in the Medical Encounter
Paul Haidet
The Annals of Family Medicine Mar 2007, 5 (2) 164-169; DOI: 10.1370/afm.624
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  • Article
    • Abstract
    • INTRO
    • A COMMUNICATIVE ACT: CREATING SPACE
    • A COMMUNICATIVE TRAIT: DEVELOPING VOICE
    • A COMMUNICATIVE EVENT: CULTIVATING ENSEMBLE
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  • Let’s Dare to Be Vulnerable: Crossing the Self-Disclosure Rubicon
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